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'Love & Coffee Tapes' is a collection of bootlegs, live recordings, hotel born demos, rap remixes, and beyond...

Songs Include:

The Wheel 4:10

Until I See Her Again 2:35

Madonna Of The Evening Rose 6:25

Fellowman Blues 3:06

Honey For You 5:08

Where The River Meets The Sea (Hotel Tape) 4:18

House Of Light (Live) 3:26

Behind Closed Doors 4:58

The Blue Room 4:57

Farewell Song (Mono Bootleg) 5:49

Freestyle Bootleg of 'Bluest Of Blue' 7:36

Too Soon To Tell (Bonus Track!)

Waiting For A Woman (Bonus Track!)

Morning Song 3:28

    Written, recorded, and performed by Aaron Berg, these fourteen songs represent volume one of the podcast ‘Love and Coffee’. In 2007 after touring over 15,000 miles from the coast of North Carolina to California’s Pacific and back four months later to the very same beach for where he began, Aaron Berg returned to his native South Carolina where he began to record in a two-room garage apartment. The resulting tracks combined with live road tapes, rap remixes, and the occasional thread-bare hotel demo make up the monthly podcast from which these fourteen songs were taken. On the song, ‘Behind Closed Doors’, a chorus of crickets can be heard roaring through the windowpanes from the garden outside. The piano used throughout is a 19th century carved upright grand passed down as a family heirloom. On 'Madonna Of The Evening Rose' a mono drum loop sampled from a local drum guru is remixed with an m-2 parlor-sized Hammond organ resulting in a cosmic folk rhaposdy building to an extended razor-edged fuzz guitar solo at the end. 'The Bluest of Blue' is a nearly seven minute free style rap bootleg layered with ambient effects and ragged gypsy guitar. Recorded with one mic on Paris Mountain in South Carolina, 'Electric Mike's Coffee Table Acid Demo No. 1' is a rare glimpse at Berg's newest band rehearsing its own brand of psychedelic madness.

    Berg’s live performances are not to be missed blending bizarre tales of the road with comedic quips and mysterious one-line introductions. Critics from New York to Nashville have described the live show as “riveting and uplifting from one hypnotic twist to the next...” and “...another Dylan on the cusp of something else very big.”